THE MIDNIGHT GUARDIAN
(Hour of Darkness)
By John C. Bruening
The traditional classic pulp novels
that appeared in the 30s magazines generally ran 60,000 words.
In them one would find a fast paced narrative that would explode across
the pages in colorful, purple prose. Over time many of these tales were reprinted
in paperbacks and continued to be labeled as novels. Whereas in truth, they
were actually novellas that once took up the main portion of a monthly periodical
that also featured two to three additional shorts to fill them out. We raise
this topic because over the years, most novels coming from the big New York publishers grew
to well over 120,000 words and were easily distinguishable from their pulp paperback
cousins. Of course this ultimately led to the over-written, padded
monstrosities we are cursed with today and the dwindling sales margins have
forced big time publishers to demand “bigger” books. But that’s a whole other
topic for another time.
Our purpose here was to point out
that the fact that even with the emergence of New Pulp, writers found themselves
sticking with the tried and true 60,000 word format which isn’t a bad thing at
all. Whereas a few daring penmen have attempted to bridge the gap between pulp
and traditional novel and the results have been haphazard to say the least.
Up until now no one had been able to
deliver a realistic hybrid we are hereby calling the pulp novel. And that, my
fellow dear readers, is what John Bruening has brilliantly achieved here. “The
Midnight Guardian – Hour of Darkness,” clocking in at twice the size of an
average pulp book is a genuine novel in every sense of the word….and still
pulp. The significance of that is going to felt for a long time to come.
When Jack Hunter was a young man of high
school age, his policeman father, Lt. James Hunter, died heroically saving Union City from a
sadistic gangland boss named Nicky Diamond. Diamond was caught and sent to
prison for fifteen years, while young Jack went on to college and eventually
law school. The plot kicks into high gear when Diamond, upon his release,
returns to the city and immediately begins setting up his old gang He recruits
new soldiers with the intent of finally realizing his twisted dream of taking
complete control of Union City.
Whereas Jack is now an Assistant
District Attorney who, along with his boss, the police Commissioner and a dedicated
police detective named Dugan, is not about to let that happen. The added menace
in Nicky Diamond is that he loves to blow things up and hires both a demolition
expert and a talented radio engineer. Together he has them fashion deadly
timebombs which he uses in leveling several buildings with the city limits.
These acts of destructions are his public calling card announcing his return.
Angered by Diamond’s effrontery and
total disrespect for the law, Jack finds himself stymied in not being able to
go after the crook directly. The memory of his father’s death continues to haunt
him and his temptation to make this crusade a personal one is at constant
struggle with his career as a representative of the justice system. Eventually,
it is Jack’s cousin, Buzz Hunter, who offers him a fantastic alternative to his
dilemma. Eight years older and a veteran
of World War One, Buzz owns and operates an electrical store and is himself a genius
inventor. It is Buzz who creates a
leather helmet wired with special sensors that when worn, affect a stimulating
wave that heightens the brain’s sensory capabilities. Simply put, when one
wears the helmet, one can hear and see far beyond the normal human range.
Adding goggles and a mask to the helmet, Jack ends up with a remarkable
scientific marvel that helps him gain an edge on Diamond and his murderous
Wearing the disguising helmet and
whipping through Union City
on a souped-up motorcycle, Jack becomes a mysterious vigilante and begins his
campaign to thwart Diamond and his insane goals.
If all this sounds familiar, it’s
because Bruening has no issue with following classic pulp elements to weave his
over-the-top adventure and he gives us a new pulp hero who is truly a
legitimate heir to such battlers as Secret Agent X and the Black Bat. By the
time we had come to the novel’s last fifty pages, all this reviewer could do
was keep turning pages and hang on tightly. Every single action sequence that
races towards the dramatic finale is a Republic Serial put to prose. There is
no lack of action in this tome, and even though Bruening does give us a larger
entree than we are use to, he makes it so damn tasty; it becomes a remarkable
“The Midnight Guardian – Hour of
Darkness” is a pulp novel. As such it is
the first of its kind, and this reviewer has to believe, having now set the bar
to this quality level, Bruening’s colleagues have one hell of a challenge ahead
of them. We wish them luck.