NIGHTSCAPE
Edited by David W. Edwards
Part One – by Derrick Ferguson &
David W.Edwards
Part Two – by Arlen M.Todd
Imperiad Entertainment
299 pages
What we have here is a title with
two different pulp actioners; both edited by David W.Edwards. Thus will give
you or take on each separately.
Kicking of this volume is “The
Thousand-Eyed Fear” by Editor Edwards and popular pulp writer, Derrick
Ferguson. It’s a deliriously delicious pulp romp evocative of some the best
classic tales of the early 30s. Set in World War One, the story follows a Doc
Savage clone named Lt. Nolin Quigg, known around the world as Strongboy, and
his team of young soldiers to include Brits and Americans referred to as The
Lost Boys.
Occult scientist working for the
Germans have somehow tapped into another dimension and captured a monstrous,
evil entity capable of spreading fear throughout a limitless region and turning
people into babbling fools or heinous monsters.
The Germans have devised a way of
draining the occult energy from this “thing” and are going to use it to power
their new secret weapon, a giant tank three times the size of such war
machines. Thus it is up to Strongboy and his crew to infiltrate the German’s
hidden underground base, thwart the fiendish beast and destroy the super tank.
As we stated at the start of this review, this is magnificent pulp brilliantly
written. We’ve no clue which of the two writers did what sections, as the prose
is seemless and we have to add, aside from the violent, bloody action, Edwards
and Ferguson
infuse some thought provoking philosophies throughout giving their characters
an original twist. All in all a great
read and we are hoping to see lots more of Lt. Quigg and company in the future.
Next up is “The Q for Damnation” by
Arlen M.Todd and storywise it is another stellar pulp tale with as yet another new
hero in the French female masked vigilante/detective known as Monteau. Lina
Mayen, when not on a case, disguises her operations under the guise of being a
criminal mob boss herself. A nice tip of the hat to the Green Hornet set up.
When one of Lina’s old friends, a curator of a Paris museum, is brutally murdered during the
theft of a special painting said to possess arcane mysteries. Monteau is soon
caught up in a truly bizarre case involving elements reported during a World
War One battle. Lo and behold, we readers suddenly realize this story,
happening almost thirty years after the first adventure, is actually a sequel
that reveals some of the horrendous aftermaths of that previous tale. All in all, Todd’s writing is competent and we
had fun challenging ourselves to properly translate much of his French
dialogue; it being one of the languages we were raised in.
Now we’d love to give “The Q for
Damanation” the same high marks as we did for “The Thousand-Eyed Fear,” but
unfortunately that becomes impossible due solely to the printing gimmicks scattered
throughout the text. By that we mean there are entire sections done in faux
cursive, ala diary entries that go on and on, or reprinted hospital forms
filled with supposed doctor’s notes etc. etc. There is even a section presented
to us ala a scene in a play! We have to wonder if the editor believed this was
a “fun” way to break up the monotony of page after page filled with only text? Keep in mind, all books are for the most part
just pages of text. It was those words do that matters, not how they are
dressed up visually. Thus this stuff fails miserably as it merely creates
annoying, jarring visuals that instantly take the reader out of the narrative. Something
that should be avoided at all cost. In the end, we’d suggest, if he truly needs
to break up the repetitiveness of text pages, he revert to the traditional use
of pulp interior illustrations. When done by talented graphic artists, such
pieces actually enhance the fiction.
In the end, this is really a good,
solid package and we do recommend it highly. The level of imagination in this
volume is noteworthy and will entertain even the most jaded pulp fan.
2 comments:
Nice review, Ron. I found the stories opposite from you. I was absolutely fascinated by the heroine of the second story, but found the first character (The Lost Boys) difficult to like. But, thankfully, readers will often have different takes on characters and plots. It makes them that more interesting for other readers.
Agreed Tom, thanks for stopping by and posting.
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