BLACK
HATS
Max Allan
Collins
Brash
Books
264 pgs
Wyatt
Earp, the famous western lawman, is in his seventies enjoying semi-retirement
living in Los Angeles with his wife Sadie. He does a little detective work
every so often between acting as a consultant for the movie folks cranking
horse operas by the hundreds. Among his Hollywood friends are William S. Hart and
Tom Mix. In other words, his life isn’t that bad at all.
Of course
there’s always calm before any storm and Earp’s dark clouds arrive with a visit
from Doc Holliday’s widow, “Big Nose” Kate Elder. She surprises the ex-marshal
by revealing that before he died, Doc fathered a son who he never got to see.
She named the boy John and told him his deceased father had been a dentist; a
good and decent fellow. She purposely omitted any mention of his having been a
notorious gambler and gun-fighter. Later, when tragedy strikes young Johnny, he
turns to drinking and learns the truth about his heritage. Angry and hurt, Junior
packs his bags and heads for the lights of New York City to open a fancy
nightclub.
Prohibition
is in full swing and various criminal mobs are all vying for their share of the
profits from illegal booze and speakeasies. One particular group has its eyes
on Johnny’s operations. Its representative is a street savvy thug named Al
Capone.
Thus Kate’s
request of Earp; go to Manhattan and bring her son home safely before it’s too
late. Although reluctant, Earp’s loyalty to his old friend wins out and he
agrees to take the job. From that point forward, “Black Hat” becomes a history
buff’s delight. As ever, Collins shines in his showcasing well known historical
figures mixing them deftly through his tale as if he is simply recording facts.
Wyatt
Earp vs. Al Capone. Just the idea alone had this reviewer clapping his hands in
outrageous delight. Like the author, we too are fans of the old west legends
and none is more widely known than that of Wyatt Earp. As always happens in any
culture, certain events seem to strike a universal chord that speaks to the
soul of a nation. Whereas England had King Arthur and Robin Hood, we Americans
shaped our mythologies on the plains of the great frontier. The gunfight at the
O.K. Corral is easily one of the most retold stories in all of American
folklore. That it really happened is irrefutable and still in the retelling,
its facts have been hammered and reshaped to fit a grandiose stage of heroic
proportions.
In his post
essay, Collins discusses the challenge to writers having to find the facts
buried under years of exaggeration in hopes of spinning fairly accurate yarns.
To a point that is. As John Ford told us at the finale of his classic film, “The
Man Who Shot Liberty Valance,” “…when facts don’t mesh with the legend, print
the legend.”
Kudos to
Collins for exercising restraint and giving us a glimpse at the human side of
these legends. Both Earp and Capone are portrayed with a great deal of insight
as he imagines one man’s journey reaching its twilight crossing paths with
another whose own brutal career is just beginning.
“Black
Hats” is gold plated gift to all of us who love tall tales.