SENTINELS - Stellarax

SENTINELS – Stellarax

By Van Allen Plexico

White Rocket Books

311 pages

When Van Allen Plexico first introduced us to the world of the Sentinels way back in book number one “When Strikes The Warlord,” I doubt any of us had a clue what a wild ride he was about to take us all on.  And before we get too deeply into this review, here’s a fact you need to be aware of; “Sentinels – Stellarax” is the sixth book in a series and yes, it is necessary to have read the first five to both understand and enjoy this book.  So those of you who have not read those earlier books, you may want to forego this review altogether. But again, be forewarned, I am about to rant and rave about how much fun this volume is and you may find yourself tempted to dig into your piggy banks and go out and buy those other five books. As well you should.

Don’t get me wrong here, continuing series have been a part of science fiction since it first appeared back in the early days of the pulps.  E.E. “Doc” Smith’s Lensman series comes to mind immediately, then there was Asimov’s Foundation books, Richard Adams Horseclan Saga and most recently, Peter David’s New Frontier Star Trek paperbacks.  All of them series, all of them dependent on readers starting from the beginning to keep abreast of each new chapter and plot evolution.  The Sentinels is no different than those classics and honestly just as imaginative and wonderful.

Plexico’s conceit was to take the super heroics he had found as a child in comic books and bring that same wild and crazy out-of-this-world action to prose.  That he does so effortlessly is evidence of his genuine skills as a writer and with each new book he delivers, he only gets better.

Now for you loyal readers who have been following along, you are well aware that when we left our merry band of Earth super-heroes and their alien allies, they were assembled on a massive platform in orbit over the planet Earth as it was being confronted by four of the most powerful entities in the universe, known as the Rivals.  Each of these god-like beings had similar twin goals, to vanquish the other three and conquer the Earth.  It was up to our gang of heroes to defeat them and save the day.  It was the cliffhanger to end all cliffhangers and I could not wait to dig into this, the final book of this second overriding story arc to see what happened next.

Led by genius industrial inventor, Esro Brachis, the Sentinels include Pulsar, a lovely  young woman Asian American with amazing powers, Captain Mondrian, a tall, red-skinned alien member of the Elite Kur-Bai Starfleet, Shiva, a one time British agent now the embodiment of the Hindu god wielding a Trident of Destruction and a teen boy who has inherited the powerful golden armor of a Star Knight.  Of course there are other members of the cast, but for the most part these are the focus of this adventure and how they manage to outwit the overwhelming superiority of the four Rivals is simply ingenious and a joy to behold.  Plexico’s ability to keep the action moving at hyper-speed while every so often offering up an important flashback sequence is akin the juggler hurling a half-dozen chainsaws over his head.  One slip…and oops, the end.  That he continues to keep every character in place at the same time answering questions posed in the early books is simply fantastic.

From unstoppable blue foam known as the Blight that consumes everything in its path to space born zombies raining down on the Earth, “Sentinels – Stellarax” is action packed.  It is easily the best book in the series and that’s no small achievement.  When any reader invest so much time with such a continuing saga, there is a natural expectation that the pay-offs at the end had better to be spectacular.  Plexico delivers nothing less each and every time.  I, for one, can’t wait for the next one.  Long live the Sentinels!

QUARRY'S EX

QUARRY’S EX

By Max Allan Collins

Hard Case Crime

211 pages

Available Sept.20, 2011

Max Allan Collins started writing his Quarry books back in 1976 with The Broker.  It was the first time we were introduced to the Vietnam vet turned paid assassin.  In that tale, we learned how Quarry, not his real name of course, came home to find his wife in bed with another man.  He murders the guy by dropping a car on him and then, because of his service record as a war hero, is acquitted by jury.  Shortly thereafter he is recruited by a man known only as the Broker to become a professional killer.

In the books that have appeared since that stellar debut, that opening scenario has often been retold many times to bring the new readers up to speed.  Recently, since becoming affiliated with Hard Case Crime, Collins has begun filling in specific details of Quarry’s life, each more compelling than the last.  In this particular book, we are told what happened to Quarry’s ex-wife after they divorced and parted.  But Quarry’s personal life is, as always case, only the subplot of the story.

Quarry has come to a small Arizona town where a movie studio is shooting an action B movie.  When he discovers that the director of the film is the target of a hit, Quarry approaches the man and offers his own lethal services to both eliminate the threat and discover who put out the contract in the first place.  It is this neat little twist combination of mystery and crime thriller that makes this series so original and fun.  Quarry is no knight-in-shining armor private eye out to save the world.  He’s a killer who makes a good living taking out other killers.

Once the first part of his contract has been efficiently resolved, Quarry is a master of death-dealing, he then becomes a detective chasing down the person who put out the contract on the moviemaker.  As always, there are plenty of juicy suspects from the mob boss who is financing the project to the director’s wife who inherits all if he dies.  The problem is the woman is Quarry’s ex-wife.  The second he lays eyes on her, old familiar feelings he thought long dead begin to resurface, complicating an already precarious situation.

Paying homage to the potboilers of the 40s and 50s, Collins laces his tale with the most outrageous sexual encounters; all done with a sly, sharp wit that is ingratiating.  At the same time he balances that adult humor with explosive violence that is as mesmerizing as it is ugly.  His prose falls into place with the deft touch of a contemporary poet, each line awakening a new possibility in how we see the world.  Reading Quarry is an education in human psychology taught from the barrel of a silenced automatic.

(Postscript – This review was written and posted last year when the book was first published by Dorchester Press.  Shortly thereafter Hard Case Crime parted company with that firm and this new edition is now being released by their new British publisher, Titan Books.)

GETTING OFF

GETTING OFF

By Lawrence Block

(Writing as Jill Emerson)

Hard Case Crime

335 pages

Release Date 20 Sept 2011

One of the classic traits of a noire crime story is the protagonist being an unsympathetic character.  The history of American literature took a sharp left turn when this new genre came into its own, evolving from the hardcore crime pulps of the 1930s.  Till then, the majority of books generally portrayed the central figures as worthy of the readers’ admiration when they behaved in true heroic style, or sympathetic when they did not.  But either way, one was able to identify with the characters.

Noire changed all that and GETTING OFF is a truly fitting example of the genre as the lead character is a female sociopath without a conscience.  Early in the tale we learn that Kit Tolliver was sexually abused by her father from a very young age.  But whether that abuse caused her unrelenting psychosis is not argued in the slightest, as her personal response to it is to coldly murder total strangers.  Block does make it clear that Kit is in some bizarre mentally deranged way killing her father over and over again with each new man she sleeps with.  What he does not do his judge her for it and therein lies the perspective that is truly unsettling.

At times the book’s heavy handedness slips into black comedy territory and the prevailing humor is twisted in its perversity.  Along Kit’s journey of life, and death-dealing, she logically encounters partners who are just as sick as she is.  In those scenes it is all too easy to start rooting for her as if she is somehow more worthy of survival then the other monsters she has crossed paths with.  The last noire thriller to have bothered me this much was Jim Thompson’s classic THE KILLER INSIDE ME.  And like that book, this one is not for the faint of heart.

In the end, GETTING OFF is a cautionary tale about the sexual mores of our times and the dangerous waters singles, and cheaters, swim in.  Let them read GETTING OFF and I guarantee you they will think twice about their next plunge into those dark depths where the toothy sharks prowl.

THE ROOK - Volume Six.

THE ROOK

(Volume 6)

By Barry Reese

Pro-Se Productions

186 pgs

Like many of the Rook’s dedicated fans, I’ve been very anxious to read the latest volume in this marvelous new pulp series; especially since it is the first such debuting from Reese’s new publisher, Pro-Se Productions.  Shifts from one publisher to another can produce some bumps in the road but I was very happy to see  this transition was handled smoothly.  In fact this may be the best Rook collection ever produced.

Allow me to add that the author himself has publicly stated he was not completely satisfiend with his recent outings as his large supporting cast somehow began to take over the center spotlight away from the series’ star, crime-busting avenger, Max Davies.  Davies, for those of you just now becoming acquainted with this series, is a wealthy, Atlanta based business man who leads a secret life as the avenger known world wide as the Rook.  Through the previous five volumes published via Wild Cat Books, we’ve learned of Davies’ history, the murder of his father and subsequent haunting that propelled him into his career as a vigilante.  We’ve met his closest friends, hero allies and a gang of some of the most dastardly villains ever to grace a pulp yarn.

With this latest entry in the Rook saga, we’re given three exceptional stories that move at lightning speed and offer up thrills galore.  The first and longest tale has the Rook going up against a classic German pulp hero from the 1930s, Sun Koh, a Prince from Atlantis who time travels from the past to the 30s in an effort to save his people and the Aryan race.  Sun Koh was an authentic pulp character whose exploits were ended when the Nazis regime, who despised the fanciful literature of the pulps, became threatened by his popularity.  The battle between these two unyielding giants is a real clash of titans, never mind that Reese also throws in three very saucy female Axis agents known as the Furies.  (The cover alone says it all.)

The second and shortest story is a weird outing about a haunted western town and the curse put upon.  The opportunity to see the Rook as a “cowboy” works extremely well and is a real hoot.  Finally the volume closes with the Rook teaming up with as yet another Reese creation, Lazarus Gray and his Sovereign City team known as Assistance Unlimited. They are Reese’s tip of the pulp fedora to the Avenger and his Justice, Inc. In this auspicious meeting, the Rook and Gray hunt a lunatic serial killer who is under the influence of a spectral being calling herself Lady Death.

Barry Reese’s Rook series is one of the major highlights of the New Pulp Fiction movement sweeping the American literary scene.  If you are not reading them yet, it’s time you got caught up on the fun. 

CONAN - The Barbarian

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

FRANKENSTEIN - The Dead Town

FRANKENSTEIN

The Dead Town

By Dean Koontz

Bantam Books

402 pages

Seems like there is a new trend in wrapping up great, fantastic literary journeys.  The folks at Warner Brothers wisely split the last J.K. Rowling Harry Potter book, “The Deathly Hollows” into two truly amazing movies, the finale now showing in theaters everywhere is a superb adaptation of the book’s climatic ending.

Likewise writer Dean Koontz went deliriously overboard in relating the final conflict between the mad scientist Victor Frankenstein and his pathos filled creation, the so called “monster” now known as Deaucalion and offered it to his legion of fans in two parts.  “Frankenstein: The Dead Town” is a truly fitting resolution to not only the first part of the narrative, “Lost Souls” but the entire five book series.

One of the common traits of most successful pulp writers today is that they are prolific.  The tons of words they produce daily is staggering and would make the old pulp writers proud.  Koontz is no exception in this ability.  Whereas being fast does not assure quality, only a professional competency his readers have come to expect.  Of all his series, the new Frankenstein books are easily some of his most enjoyable action heavy offerings yet.

In part four, “Lost Souls,” the town of Rainbow Falls, Montana, was being invaded by clones created with super nano-technology in a hidden missile silo long abandoned by the military.  The twisted genius behind this assault on humanity was the surviving clone of the first Victor Frankenstein; his goal, the complete eradication of all life, human, plant and animal, on the planet. Battling him at every step is Deucalion, that stitched together protagonist.  Whereas in this series, he is a near indestructible superman who has developed a truly beautiful soul and is determined to fowl his mad creator and save the world.

The fun of this, and the previous volume, is the eclectic band of town citizens, all of them unique, eccentric characters in their own right, who ultimately band together as Deucalion’s army and bravely aid him this apocalyptic battle that has the fate of all mankind resting on its outcome.  Koontz is truly a master tale spinner and in “Frankenstein – The Dead Town,” he is at his best.  And that’s saying a lot!

PULP!

PULP!

Edited by Chris Gabrysch

Twit Publishing LLC

213 pages

I make no bones about loving anthologies as I’m a huge fan of the short story format.  And with pulp anthologies of this kind you are bound to find some really amazing nuggets as well as an assortment of lesser quality entries.  Overall, if the number of excellent, fun tales outweighs the bad, you’re in good hands. Which is why it is easy for me to recommend this book edited by Chris Gabrysch as the majority of the twelve included within are truly worth your perusal.

My favorite was easily “A Shot in the Dark” by Peter Michael Rosenberg which features a marvelous protagonist in Cairo based Chief Inspector Walaa Yousesef.  This Egyptian Hercules Poirot won me over from his first appearance revolving around the body of an English photojournalist found crammed in an old cabinet in her hotel room. I hope Rosenberg writes many more cases for this unique detective.

Another enjoyable entry was “Balalaika” by Jennifer Loring.  It deals with vengeful vampire stalking the citizens of an isolated Russian village.  It is well written and haunting in its depiction of rural Russian settlement and the horror visited upon it. Whereas “The Schitzel Connection” by Cyril C. Young Jr. had me in stitches.  It’s a cautionary tale wherein we are warned evolution can easily go backwards instead of forward depending on how much pretzels and beer one consumes.  If you can’t chuckle after reading this, there’s something totally wrong with you.

“Install” by Drew Wilcox is a scary tale of a cable guy’s visit to a very bad address. Horror shorts are hard to do but Wilcox pulls it off and this one really had me flipping pages to get to the end.  Noire crime stories were also well represented with two nifty yarns.  “Smooth as Sharkskin,” by Slade Grayson is a classic crime pulp story and delivers as neatly as its title portents while “My Date with Red,” by Tom Swoffer, is an oddball, highly readable story of a drug dealer scared witless done in a Quentin Tarrentino style.

As this collection is eclectic in subject matter, I was pleased to find “Montana Jack” by Dave P. Fisher, a no-frills classic western tale; truly superb writing.  Another contender for my favorite in this book.  Fisher really should stretch his writing muscles and try a full length western novel.  He’s that good.

And finally there is the fantasy comedy “Whatever Happened to the Dark Lord?” by Frank R. Sjodin that has some really hilarious moments and twists nicely on its own logic.

The remaining four stories did nothing for me at all; obviously not my cup of tea. One, a long crime piece, “Double Take,” by Chris O’Grady was competently written, but in his attempt to mimic other successful hard boiled writers, he completely homogenized his tale so that it comes across bland and spiritless.  Even the toughest, most cynical writers of this genre know you need to inject some melodrama to grease the plot wheels.

So eight out of twelve gives this collection a big thumbs up in my accounting.  Try a copy and let me know if you agree with me.  Or not?

BYE BYE, BABY

BYE BYE, BABY

By Max Allan Collins

Forge Books

326 pages

Release Date 16 Aug. 2011

Sometimes it’s all too personal.  Or so Chicago based private eye, Nathan Heller discovers when he’s asked by his friend, Hollywood sex symbol and superstar Marilyn Monroe to help her in her battle with Twentieth Century Fox. The year is 1962 and the famous blond is in a contractual contest with the studio that is facing financial ruins. When the entire energies of the studio’s marketing staff begin attacking her reputation and credibility, Marilyn retaliates.  Fearing the contest will end in court, she asks Heller to tap her phones thus providing her with physical evidence to present a judge. Heller, now in his mid-50s and a highly successful entrepreneur with offices in New York, Chicago and Hollywood, gladly accepts the job unaware his client is deeply embroiled in a sex scandal that could rip the country apart.

Heller soon learns that Marilyn’s sexual escapades with Jack and Bobby Kennedy have attracted a hive of dangerous bees to include the C.I.A., FBI, Teamsters President Jimmy Hoffa and underworld figure Sam Giancana. All of them have a vested interest in keeping the blond bombshell quiet.  When she dies only a few months later of a drug overdose, the usually unflappable Heller is shocked by the inept police investigation that follows. It reeks of a cover up and Heller is convinced the depressed film actress was murdered.  Now comes the tough part, proving it.

“Bye Bye, Baby,” is the fifteenth Nate Heller mystery, Collins’ longest running series and his most acclaimed.  So meticulous is the research that goes into each book, one gets both a fast paced thriller and a history at the same time.  Talk about more bang for your bucks.  Throughout the series, Heller has crossed paths with such personalities as Orson Welles, Frank Nitti, Sally Rand and Charles Lindberg.  He’s very much the detective version of a Forrest Gump.  Yet in all these past cases, he has never been more human or vulnerable.  This is due in large part to the events taking place in a time writer Collins is personally familiar with and it is that intimate connection that infuses itself into the character’s perceptions.

Norma Jean Baker, born June 1^st, 1926, came to Hollywood as a model and became Marilyn Monroe.  She landed her first film contract in 1946 and went on to become the most popular screen sex goddess since Jean Harlow.  By 1953, she had progressed to leading roles and shaken off her “dumb blonde” image, winning the coveted Golden Globe Award in 1959 for her role in “Some Like It Hot.”  The true circumstances of her death sparked an avalanche of conspiracy theories still bandied about today.

Collins’ genius is taking the dozens of convoluted records and few remaining pieces of evidence to describe one possible scenario on how Marilyn was murdered.  In the end the story is a gut wrenching tragedy and perhaps Collin’s finest book ever.  It is one this reviewer was emotionally involved with from beginning to end.   I can remember all too easily being a fifteen year old fan when Marilyn Monroe died and the sadness I felt.  You see, Max, I loved her too.

THE MYTH HUNTER

THE MYTH HUNTER

By Percival Constantine

Pulpwork Press

192 pages

What happens when you put the best parts of Indiana Jones and Lara Croft together then mix them up with a little bit of Modesty Blaise?  Answer, you get Percival Constantine’s coolest new pulp hero, Elisa Hill.  From the opening action sequence to the last climatic battle with a cruel and vicious assassin, “The Myth Hunter” is a super charged thriller that never lets up.

Even when dealing with exposition scenes, Constantine shines in this adventure.  His writing has matured greatly since his last book and “The Myth Hunter” captures the reader’s interest with a fluid ease of storytelling that is both polished and suspenseful.  Learning that a little is often better than more, he gives us bits and pieces of Elisa’s past, when she was a mercenary tomb raider, seeking out the world’s ancient treasures solely for personal gains.  Yet somewhere along the way, echoes from her parents’ teachings take root and she learns to value the non material treasures of the world, particularly honor, loyalty and courage.

Now she is out to discover the secret to the whereabouts of the fable lost Lemuria with the help of her university allies and a truly bizarre Japanese changeling.  But there are also dark forces gathered against her such as the secret society known as the Order and their roguish agent, Lucas Davalos.  Davalos and Elisa were once partners, now they are on opposite sides and a victory for one could mean death to the other.

“The Myth Hunter” is a solid, masterful thriller by a young writer realizing his tremendous potential.  Another publishing note, “The Myth Hunter” is the first book from any publisher to bear the New Pulp logo brand signifying a very exciting movement in the field.  Based on the classics of old, new pulp thrillers like “The Myth Hunter” are blazing into the future to thrill and excite an entire new generation of readers.  Isn’t it time you bought a ticket on this train?

BLOOD OF THE REICH

BLOOD OF THE REICH

By William Dietrich

Harper Books

417 pages

Available July 2011

You realize there are books reviewers are predisposed to like by the title alone.  When the good folks at the New York Journal of Books offered to send me this book, it was because I’d already reviewed an earlier book by the same author and liked it a great deal.  But being brutally honest here, I’d forgotten what that title was until they showed me the cover image to “Blood of the Reich.”  Ah, yes, William Dietrich, I thought, the fellow who created that Revolutionary version of Indiana Jones in his first book, “Napoleon’s Hero.”  Yes, I had enjoyed that historical romp and was curious as to what this new stand alone offering might contain in the way of a fun reading experience.

Once I read the marketing copy, I was hooked.  Nazis scientists racing to Tibet in hopes of finding a hidden mystical power in the lost city of Shambhala.  These plot elements scream pulp pleasure and I knew immediately this was my kind of book.  Dietrich’s background as a naturalist and historian allow him to create outlandish plots against authentic, real world settings and it is that richness of historical data that catapults “Blood of the Reich” into action from page one.

In 1938 Kurt Raeder, a German archeologist, is given an assignment by Hitler’s personal advisor, SS Chief Heinrich Himmler.  Raeder and a handful of loyal Nazis scientists are to travel to Tibet, seek out the lost city of Shambhala and there retrieve an ancient power known as Vril.  Himmler and the members of the arcane Thule Society believe this Vril could tip the balance of the coming war in Germany’s favor and fulfill Hitler’s mad dreams of a Third Reich world conquest.

Raeder is an intellectual sadist and the temptation to achieve personal glory, maybe even immortality, through the success of such an undertaking is much too great for him to resist.  And so the mission is launched.  At the same time, American intelligence agencies discover Raeder’s purpose and recruit their own academic agent, zoologist Benjamin Hood, to go after the Nazis and beat them at their own game.  Failing that, he is to sabotage their efforts and assure Vril never becomes a German weapon.

Now this rollicking race across the world is exciting enough but Deitrich ups the ante by creating a second storyline; this one taking place today.  Rominy Pickett is a computer publicist living in Seattle when she is kidnapped by a mysterious, handsome journalist, who claims her life is in danger from Neo-Nazis.  They believe her to be the great granddaughter of Benjamin Hood.  These want-to-be Nazis have uncovered the records of Raeder’s Tibetan mission and hope Rominy will lead them to rediscover what was found in those rugged mountains back in 1938.  Thus is a smart, witty, normal young woman suddenly hurled head first into a life-or-death race around the globe accompanied by a charismatic stranger who appears to be a physical embodiment of all her romantic fantasies.  But is he really her knight-in-shining armor or someone with ulterior motives using her to achieve his own dark agenda?

“Blood of the Reich” is a barn-storming novel that sets its sights high and never fails to deliver on them.  My singular criticism is that the convoluted mystery of Rominy’s past and her evolution from frightened victim to pistol toting survivalist challenged even my willing suspension of disbelief.  Deitrich’s prose is much more accomplished when dealing with the 30s whereas his modern sequences aren’t as assured.  Still, this book has so much pulp goodness within its pages, I can’t help but recommend it enthusiastically.  It would make one hell of a great film. 

FEVER DREAM

FEVER DREAM

By Preston & Child

Vision Books

540 pages

Since creating their unique modern pulp hero, FBI Special Agent Pendergast, writers Douglas Preston and Lincoln Child have miserly doled out small pieces of his background history.  The highlight of which seemed to be the monumental trilogy that depicted the battle with his demented brother, Diogenes.  Still there remains missing elements and with FEVER DREAM, the tenth book in the series, the pair once again sets about filling in those pieces.  At the offset we are introduced to Helen Esterhazy, the beautiful and brilliant woman who would be Mrs. Pendergast for an all too brief time only to die in a horrible hunting accident while on safari in Africa.

Now, twelve years after that tragic event, Pendergast uncovers irrefutable evidence that Helen’s death was not an accident but murder, the result of a well orchestrated scheme but a merciless killer. A man of obsessive passions, once this information comes to light, Pendergast becomes a living dynamo set upon a singular quest; to discover the murderers and wreak his vengeance upon them.  To accomplish this, he recruits his long time friend and ally, New York police detective, Vincent D’Agosta much to the frustration of the cop’s lover, Chief Laura Hayward.  Hayward doesn’t trust Pendergast because of his unorthodox methods and is forever worried his recklessness will jeopardize D’Agosta career or worse, get him killed.

This time her fears are almost realized as the pair begin traveling the globe unaware their inquiries into this decades old mystery has made them the targets of a ruthless, professional killer. The non-stop action moves from the African bush to the bayou swamplands of the south making FEVER DREAM another solid entry into what has become this reviewer’s favorite modern pulp series.  As I’ve always preferred paperback editions to the hardbacks, my apologies for these reviews being somewhat late.  If you love great characters and truly bizarre story plots, the Special Agent Pendergast books should be on your must-read list.  Believe me, you will not be disappointed.

CRUSADERS OF THE SALTIER

CRUSADERS OF SALTIER

By William Speir

Strategic Book Group

230 pages

Last year William Speir introduced the world to a super secret organization known as the Knights of the Saltier; a group of patriotic men and women dedicated to helping the legal authorities of the world maintain law and order.  Into this highly complex organization he set his protagonist, Tom Anderson, a former military officer looking to find meaning in his life beyond the normal goals of career and monetary success.  By the end of that first volume, Anderson had joined the Knights and discovered his own father was one of the Grand Masters.

At the time I reviewed KNIGHTS OF THE SALTIER, I made a point of applauding it’s originality in giving pulp fans something new and fresh.  Whereas with this second entry in the saga, Speir has inadvertently gone down a very popular plot path considered to be one of the most remembered in the history of the genre.  In 1934 Popular Publications launched OPERATOR 5, the adventures of a Secret Service agent named Jimmy Christopher. The stories were penned by veteran pulp scribes Frederick C. Davis and Paul Tepperman.  Tepperman was responsible for the 13 interconnected novels that make up The Purple Invasion, a series in which the Purple Empire (an unnamed European power) conquers the United States after conquering the rest of the world.  Jimmy then led the insurgency against them.  The saga is often referred to as the War and Peace of pulps.

In CRUSADERS OF SALTIER, Speir has America conquered but not from an outside force.  Rather it is seized from within by a corrupt Washington Administration led by a megalomaniac President set on a course of tyranny and using his power to illegally circumvent the Constitution.  When dissenting Americans begin mysteriously disappearing without due process, the Knights of Saltier must confront their greatest challenge ever, how to battle corrupt government agencies and restore the country to the rightful rule of the people.

This is an intense thriller with a fascinating, and very chilling plot line, extremely well realized.  Speir balances the action sequences with the more mundane occurrences in Anderson’s life, ala his meeting a lovely young woman and falling in love all the while caught up in the Knights’ struggles to save the government.  His skills as a storyteller are growing exponentially with each new book. Once again I heartily recommend this to pulp fans looking for a new twist on action-adventure prose. CRUSDAERS OF THE SALTIER is a terrific chapter in a truly excellent series.

TREASURE OF KHAN

TREASURE OF KHAN

By Clive Cussler & Dirk Cussler)

Berkeley Books

604 pages

In this, the 19^th book in the Dirk Pitt adventure series, the head of Numa and his loyal sidekick, Al Giordano find themselves in the wilds of Mongolia battling a descendant of the world conqueror Genghis Khan who has harnessed a machine capable of creating earthquakes.  These he uses to disrupt the world’s fuel distribution.  Once again, Cussler’s modern day pulp hero faces overwhelming obstacles to thwart the villain and in the end discover the long lost graves of both Genghis and Kublai Khan.

This is the second Pitt adventure Cussler has co-written with his son Dirk and comforts a legion of fans in knowing the character will most likely continue long after his creator had retired.  For those who believe the pulps died out long ago, pick up any Dirk Pitt title and get ready for a truly amazing ride.

JACK AND THE JUNGLE LION

JACK AND THE JUNGLE LION

By Stephen Jared

(www.jackandthejunglelion.com)

115 pages

This little book is such a breath of fresh air, I was delighted with it from page one to the end.  Many of today’s action thrillers take themselves way too seriously.  Actor, writer Stephen Jared knows how to blend slapstick with flying fists and this adventure truly has the feel and charm of an Indiana Jones flick.

The hero is Jack Hunter, known around the world for starring in B-Movie actioners.  He’s on his way to South America to film yet another jungle potboiler and everything seems routine.  Even better, aboard his chartered flight is a gorgeous animal trainer named Maxine “Max” Daniels accompanied by her orphaned niece and nephew, Lindy & Tyler.

But when the pilot has a heart attack and the plane goes down in the Ecuadorian wilderness, Jack quickly learns everything isn’t exactly like a movie script.

Jack, Max, the kids and tag-along co-pilot Clancy, have to brave wild animals and savage head-hunters to survive their all too real ordeal and along the way, Jack learns what it is to be a real hero, to put others before his own interests and to discover the meaning of true love.

JACK AND THE JUNGLE LION may not win any literary awards, but it’s amusing, rollicking tale will make you nostalgic for the old days of glitzy Hollywood when fantasy and reality where often too close to tell apart.  Pick this book up, it’s just plain fun.

REX RIDERS

REX RIDERS

By J.P.Carlson

432 pages

Monstrostities Books
Available June 21, 2011

It was somewhere between the ages of twelve and thirteen that I discovered the classic pulp heroes of old through paperback reprints.  Here were 1930s urban heroes such as the Shadow and Doc Savage while primal, wilderness characters were represented by Robert E.Howard’s Conan the Barbarian.  I also discovered one of the greatest pulp authors of all time, Edgar Rice Burroughs. My entry into Burroughs fantastic worlds was through his Tarzan books like most of the readers of my generation.  Having already become familiar with the Ape Man via movies, it was both a treat and surprise to discover the actual character in Burrough’s purple prose.

Becoming addicted to his work, it was a logical next step to pick up his equally popular John Carter of Mars series starting with “A Princess of Mars.”  On the off chance there is someone reading this that has never had that pleasure, here is a quick recap.  The series tells of an ex Confederate officer named John Carter, who, while mining for gold in the Arizona badlands, is somehow magically transported through space to the red planet Mars. There he finds it inhabited by all manner of beings and monstrous creatures that refer to their world as Barsoom. Carter has one glorious adventure after another, finds his love, the beautiful princess Theja Thoris, and goes on to become the Warlord of Mars.

I devoured those books.  I’d never encountered anything else so filled with action, exotic characters and unabashed imagination as displayed in that amazing series.  Of course the popularity of Burroughs alien tales inspired hundreds of writers to follow in his footsteps, many attempting to duplicate the verve and grandeur of his Barsoom titles.  None ever came close, until now.

From the first chapter of J.P. Carlson’s book, “Rex Riders” that same magical what-if that Burroughs so effortlessly created is evident here.  Set in the sleepy Texas town of Dos Locus, post Civil War, what Carlson brilliantly does is turn the tables on the Carter device and brings an alien romantic hero to Earth in the form of the Rex Rider. 

The book’s protagonist is fifteen year old orphan, Zeke Calhoun, who is being raised on his Uncle Jesse McCain’s ranch.  His two best friends are Bull, McCain’s loyal ranch hand and Stumpy, the old cantankerous and wise ranch cook.  Growing up to be a cowboy is not an easy life and Zeke is constantly butting heads with his uncle, their ability to communicate strained by their ages.  Having never married or had children, McCain finds bringing up a rambunctious teenage boy much more complicated than herding cattle. 

Then one day a live triceratops comes charging down Dos Locos’ main street attacking the arriving stagecoach.  After toppling the coach, the confused, armored beast then goes on a rampage and destroys several of the town’s stores before it is shot by McCain.  Before anyone can even attempt to explain the creature’s presence, let alone existence, the area’s most powerful landowner, Dante D’Allesandro comes along, offers to pay for  the damages and whisks the carcass away. No one gives the incident a second thought.  I give much credit to Carlson’s depiction of good, decent and simple people who would react exactly as he writes them.

Months later, while riding through a nearby valley, Zeke and Stumpy come across a truly bizarre scene.  An alien humanoid lying comatose on the ground, having been shot, and standing over him protectively is a baby Tyrannosaurs Rex with a saddle strapped to its back. With much effort, the two manage to haul the eight foot rider onto the back of his dangerous looking mount and get them back safely to McCain’s ranch.  After the town doctor removes half a dozen bullets from the purple hued alien and he recovers, he relates a fantastic tale to McCain and his crew.

Slim, the name Stumpy gives the alien rider, is from a planet called Ismalis where millions of years ago his ancestors, using amazing transporters, rescued large numbers of the Earth’s dinosaurs when they saw they were in danger of becoming extinct.  Now they thrive on Ismalis and as a Rex Rider, it is Slim’s duty to see they continue to do so.  Unfortunately D’Allesandro has learned that it was via one these transporter platforms, hidden in a nearby mountain cave, that the runaway tryke traveled from Ismalis to Earth.   D’Allesandro then begins to transport a group of cowboys to that alien world to build a  camp from which they can rustle hundreds of trykes and bring them back to our world.  When Slim attempts to stop him, warning that his scheme can only end in disaster for all involved, D’Allesandro’s hired gun, Caleb Cooper, attempts to kill him and his T-rex mount, called Hellfire.

McCain immediately sees the folly of D’Allesandro’s plan and offers his support to the Rex Rider, along with Zeke, Bull & Stumpy.  Together these new allies have to travel to that strange and dangerous world and set things right.  “The Rex Riders” is a deft blend of action, humor and wall-to-wall adventure in a truly original setting.  Reading it was nothing short pure joy, easily recapturing the fun I’d had when first discovering the John Carter of Mars books.  And if that isn’t a cause for celebration amongst today’s pulp readers, I don’t know what is.  In fact, I love this book so much, I’m giving it to my grandson, Alex, assured it will set him on a path I first walked over fifty years ago.  Thanks, J.P. Carlson.  With your first book, you’ve made a loyal fan that is very, very anxious for the sequels. 

YESTERYEAR

YESTERYEAR

By Tommy Hancock

Pro Se Press

180 pages

One of the most widely recognized facts regarding American comic book heroes is that they actually evolved out of the Depression Era pulp magazines.  Fans of both media are well aware that the likes of Batman and Superman were the literary children of characters such as the Shadow and Doc Savage.  Tommy Hancock employs this historical theory against which to set his first novel, “Yesteryear.”  Hancock, the winner of this year’s Pulp Ark Award for Best New Writer, had earned that title based on his short fiction. Now with this novel length drama, he cements that position soundly with a work of deft imagination heralding past days of American glory.

J.C.Smithernson is a one time crime fighting boy detective who has grown up to become a writer and publisher.  He has put his hero days behind him, though his good friend, Detective Donovan Bradley, suspects he still harbors longings to get back into the fray.  Then one day a mysterious package is left on Smitherson’s steps containing the journal of newspaper man, Ramsey Long, who was part of the Golden Age of Heroes back in the 30s and 40s.  Thought to be a myth, Ramsey’s musings are said to be a tell-all book that honestly rips aside the veil of public relation mumb-jumbo to detail the true history and exploits of those early mystery men and women.

Which is why when it is learned that Smitherson possesses the book, factions both political and private, begin targeting him and his loved ones to guarantee the journal never sees the light of day.  For J.C., it is an eye-opening revelation that some of the people he once admired are flawed enough to want to destroy him rather then have their human failings exposed publicly.  Still, he is determined that the truth will be told regardless of the consequences.

“Yesteryear,” is a marvelous homage to all those great pulp characters and golden age comic heroes who followed in their footsteps wonderfully told with a true sense of time and place.  Hancock knows his history and the richness with which he paints the times adds much to the books plot and appeal.  So on a purely literary basis, I recommend this book highly, it was tons of fun to read.

But I do have one criticism and it deals with the book’s packaging, not the story.  I don’t often make mention of actual production values but in this case felt compelled to do so because in the end, it did lessen my overall enjoyment of “Yesteryear.”  Hancock is also the book’s producer and he’s filled many of its pages with some truly fantastic drawings of many of the fabulous characters described in the text.  All to the good.   Alas, that’s where his design musings should have stopped.

Instead he also chose to change the fonts and styling of the text throughout the entire book so that the reader is confronted with bold type, cursive scribbles, light, thin fonts constantly changing, many difficult to adjust to after finishing a chapter presented in an entirely different way.  I understand the concept he was trying to achieve with this mixing, but it does not work and instead becomes a physical flaw to an otherwise stellar offering.   Hopefully his next book will have a more conservative presentation.

FRANKENSTEIN - Lost Souls

FRANKENSTEIN – Lost Souls

By Dean Koontz

Bantaam Books

381 pages

Horror fantasist, Dean Koontz continues his best selling series about the never ending war between Mary Shelly’s mad scientist Victor Frankenstein and his immortal creation, the Monster; now known in these books as Deucalion.  This is the fourth book in the saga and the beginning of a brand new story arc.  In the opening trilogy, which took place in New Orleans, the four hundred year old obsessed genius set about creating an army of super clones who would ultimately replace imperfect humans as the new dominant species on Earth. 

He was foiled by Deucalion and two brave police detectives, Carson O’Connor and Michael Maddison.  By the third book’s climax, they believed he had been killed and the world saved.  What they were not aware of was Frankenstein had cloned himself and this doppelganger came to life upon the death of the original.

“Lost Souls” opens two years later after the first conflict to find Carson and Michael have married, moved to San Francisco, opened a private detective agency and had a child, a beautiful baby girl named Scout.  For the most part their lives couldn’t be any happier.  This is why Deucalion’s reappearance bodes ill tides.  He has learned that his creator is still alive and hiding in the small town of Rainbow Falls, Montana.  What the patchwork  warrior does not know is that his cloned nemesis is completely insane and unlike his predecessor, has but one goal, the total annihilation of all mankind, both originals and replicants.  He dreams of Armageddon.

“Frankenstein - Lost Souls” is Koontz’ most audacious pulp novel to date.  It is a bold, raucous narrative that moves at lightning pacing.  Horror upon horror is visited on the small, peaceful town of Rainbow Falls and Koontz never once spares his readers with his lean and brutal prose.  His fans are going to devour this latest chapter in what has become a truly classic pulp series.  New readers need not have read the first trilogy, although it would add much to their enjoyment of this entry.  And be aware, this is book is only the first part of the story and ends with a suspense laden cliffhanger. Wherein the only real sour note is we now have to wait for several months for part two.  Now that’s torture at its most sophisticated.

GHOSTS OF WAR

GHOSTS OF WAR

By George Mann

Pyr Books

231 pages

Available July 2011

Hot on the heels of earning a Pulp Factory Award nomination for Best Pulp Novel of 2010 for GHOST OF MANHATTAN, writer George Mann unleashes the second novel in this steampunk series.  Although considering the archetype pulp trappings these books are totally saturated with, one would suggest labeling them steampulp.

This new adventure of Gabriel Cross, the haunted veteran of World War One who protects New York City as the rocket-boot propelled, black garbed vigilante known as the Ghost, begins only a few weeks after the end of his last, horrific case.  He is still emotionally wounded having witnessed his lover, Celeste, sacrifice herself to save mankind from outer-dimensional monsters.

When a new threat to his city arises, he gratefully dons his Ghost garb and goes into action.  Weird hybrid mechanical flying creatures called Raptors are swooping out of the night sky and randomly kidnapping people with no apparent pattern or purpose other than to cause city wide terror.  The Ghost sets about catching one of these horrible monstrosities with the help of his friend, Inspector Felix Donovan, who shares his secret identity. 

At the same time, Donovan is given the task of hunting down a British spy by his superiors.  He is told the secret agent is a catalyst with information that will ignite a war between England and America.  When elements from both assignments suddenly come together, the Ghost and Donovan begin to suspect a much darker plot with tendrils leading to corruption among the highest ranks of City Hall.  In the end the Ghost allows himself to be captured by the raptors and taken to their hidden lair.  It is his one chance to uncover the evil mastermind behind the attacks and discover the true horror that awaits all mankind unless he and his small band of allies can save the day.

Hideous creatures from another dimension, a mad scientist more machine than man, an armed, massive airship on a mission of doom and more thrill-a-minute action than any other ten, oversized thrillers on the market today.  GHOSTS OF WAR is even better then its predecessor as Mann is truly warming up to this alternate world and his remarkable, colorful and appealing cast of characters that populate it.  This is new pulp fiction at its finest and I’m predicting there’s another Pulp Factory Award nod in its future.  Long live the Ghost! 

LAKE CHARLES

LAKE CHARLES

By Ed Lynskey

Wildside Press

191 Pages
Availablen July 2011

One of the hallmarks of classic pulp noir fiction is a protagonist over his head in a convoluted life or death dilemma.  In “Lake Charles,” Ed Lynskey has invented such a figure in Brendan Fishback.

Brendan is out on bail, after being implicated in the drug overdose death of a lovely young lady named Ashleigh Sizemore, daughter of the wealthiest man in Umpire, Tennessee.  To help get his mind off his problems, his best friend, Cobb Kuzawa, suggest they go fishing on secluded Lake Charles up in the mountains. At the last minute Brendan’s twin sister, and Cobb’s ex-wife, Edna, decides to tag along. She harbors some hope she and Cobb can reconcile.

Friction between Edna and Cobb threatens to ruin the trip. Then Edna mysteriously disappears without a trace, after having zipped across to the other side of the lake on her jet-ski. Frantic to find her, Brendan and Cobb begin combing the lake on their small one man bass boats. When that proves fruitless, they begin searching the lake’s perimeter on foot. Things get decidedly worst when they are attacked by gunmen who are growing marijuana in the surrounding backwoods fields and glens. They fight back; killing one of their assailants in the process and their untenable situation continues to escalate, pulling them along to even deadlier encounters.

Lynskey’s stacks his deck with brutal characters, both good and bad, each trying to escape a lackluster existence.  Brendan is a rudderless soul, cast adrift when his father, Angus, deserted the family and wandered up to Valdez, Alaska to work on the oil pipeline. His own job at the local printing press is a boring, dead end and he dreams of following his father’s trail to a better place until his drinking and pot smoking put him in the extreme wrong place at the wrong time.  Ultimately he comes to suspect Edna has been kidnapped by the men growing the illegal weed and his only hope of saving her lies with Cobb’s eccentric, Korean vet father, Mr.Kuzawa.  Mr.Kuzawa is a John Wayne take-no-prisoners type and the second he enters the story, the action and suspense rev up to maximum overdrive.

As Brendan and his gun-toting mentor crisscross the rural Tennessee landscape, bodies start dropping.  What surprises the confused lad is in the midst of their violent Odyssey, clues are uncovered that connect Ashleigh’s death with the mysterious crime kingpin controlling the county’s drug trade. Are Brendan and his sister only pawns in a much bigger game? And if so, we’ll he survive long enough to find Edna and uncover the truth? Or will he fail and become another unexplained mystery surrounding the foul waters of Lake Charles?

“Lake Charles” is a gripping, crime thriller that portrays a world of tough, desperate people and creates a suspenseful mystery that will have you guessing to the final page.  The genius of the book is that its messy image of the world is a whole lot closer to reality than most of us would care to admit.  Brendan Fisback is someone we’ve all met before, maybe when looking in the mirror.