ROUGH RIDERS
A Graphic Novel
By Adam Glass - Writer
Patrick Olliffe - Artist
A Graphic Novel
Gabe Eltaeb - Colorist
Sal Cipriano - Letterer
Mike Harris – Editor
Collects the first 7 issue of
regular series.
It has been a while since my subject
was a graphic novel and as most of you readers know, that doesn’t happen often.
We reserve only the best of the best such comics for this column. Meaning quite
simply, this is one of the finest graphic novels we’ve ever enjoyed in a life
time of reading comics.
For nearly ten years now we’ve
argued that the finest comics work being produced in America today is coming
from the independents. Both DC and Marvel long ago gave up the ghost in regards
to doing comics for comics’ sake, becoming the tails of their corporate owners
who keep them around (demanding no major changes ever) simply to maintain the
copyrights on their characters for the purposes of movies, toys and whatever
other merchandising potentials they can mine. Ergo, the comics reader surviving
on the big two alone, is basically digesting the same old pablum over and over
and over again. It’s baby-food, people. Nothing more.
Whereas when you have a writer like
Adam Glass with a genuine love of history and allow him to make that the basis
from which to create a fantastical adventure, then anything is possible. And
that’s exactly the sense of wonder that permeates this series. What if Teddy
Roosevelt was a bonafide action hero and was charged by the financial moguls of
the time to go to Cuba and investigate the sinking of the U.S. Maine? And what
if that sinking wasn’t perpetrated by Spanish terrorist looking to strike back
at the U.S., but a third party with deeper, world shattering goals? Realizing
this mission is beyond the scope of one man, Roosevelt proceeds to assemble his
own special team consisting of four amazing individuals.
In this unit is the incredible new
stage magician, Harry Houdini, the electrical Wizard of Menlo Park, Thomas
Edison, soon-to-be champion prize fighter Jack Johnson and finally, adding a
dash of feminine dazzle and energy, the one and only little Miss Sure Shot,
Annie Oakley. Together, Roosevelt’s “Rough Riders” travel to Cuba with the military
expeditionary forces and under the guise of being part of that military
operation, seek out the real villainy at work on that tropical island.
Glass is a master of pacing and
knows how to keep his tale moving forward while ingeniously injecting personal
moments that reveal each hero’s torturous past and what has led them to this
particular point in time…and history. It’s a terrific story from start to
finish and deserved only the best in artwork.
Veteran craftsman Patrick Olliffe delivers that and then some. He
elevates Glass tale to a higher level by delivering visuals so beautiful and
dramatic, each page is a jewel of artwork that propels the reader at the same
time entertaining them. His layouts and and compositions are old school, and we
say that in the most reverential way. This is classic comics delivered with
sequential grace and blends so effortlessly with the script it would be
inconceivable to imagine this book without either element. And there’s the
magic of comics.
And let’s not forget the deft colors
of Gabe Elteab and expert lettering of Sal Capriano. The older we become, the
more we’ve learned that great lettering is in fact what takes two vastly
different sensibilities and brings them together flawlessly into something
singular, i.e. the letterer makes it a comic book. Period.
In the end it’s been a long, long
time since we’ve truly relished a comic adventure this much. “Rough Riders” is brilliant, genius, fun…and
every other positive adjective one can whip up. Please, if you truly love
comics, pick it up a copy now. You can thank us later.
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